Last week, I attended a screening of the documentary ‘The Lost Leonardo’ which was followed by a discussion and Q&A with the film director, Andreas Koefoed, and art historian Martin Kemp, (who features in the film).

It’s a fascinating story on many levels. The headline is simple enough – a badly damaged painting went up for auction in 2005 in New Orleans and sold for $1,175. Fast forward to 2017: following extensive restoration and two interim sales later, it sold for $450million having been authenticated as an original Leonardo da Vinci.

The anonymous buyer is believed to be the Saudi royal family, and the painting, (‘Salvator Mundi’), hasn’t been seen since – (the most common rumour is that it’s on the Crown Prince’s yacht).

On one level it could be a Dan Brown plot.

How does a lost Leonardo, previously owned by Charles 1 and Charles 11 of England, turn up in New Orleans?

To say the restoration is extensive is an understatement. Opinions from various art experts are divided on this, but some suggest that as much as 80% of the painting is 21st century.

The painting was displayed at an exhibition at the National Gallery as being “by Leonardo”. This was/still is, massively controversial. Many feel that at best it should be cited as, “In the style of”, not even, “Attributed to”, but no, in effect one of the world’s great art institutions gave it full endorsement and then, in a further break with protocol, exhibited it even though it would then come to the market for sale.

The people who bought and sold the painting are “colourful” at best, (indeed have been described as “extremely dodgy”), including a Russian Oligarch and a French businessman whose personality and ego makes Elon Musk seem shy and retiring.

But there are several more levels to this story, which teach us a lot about ourselves.

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